Anna Konjetzky & Co

tomorrow…we…were

tomorrow…we…were

World premiere  25./26.9.2024 / 20 Uhr / Muffathalle München

tomorrow…we…were

A dance piece by Anna Konjetzky

6 dancers deal with nostalgia, with holding on to something that is supposedly better, with looking back to yesterday but wanting to move forward. Nostalgia is currently a strong driving force again, both individually and in society as a whole, not just as an exit from an uncertain present, but as a vision of the future. The performers move in a half-pipe pulled apart, jumping up, letting themselves fall, simultaneously moving forwards and backwards in their dynamics. Yesterday / All my troubles seemed so far away – a song like a lifeline. But can we turn the past fantasy into a future fantasy?

Team

Choreography, Stage:  Anna Konjetzky // Music: Sergej Maingardt // Video, Light: Joscha Eckert // Costume: Dimos Klimenof // Dance: Matteo Carvorne, Sahra Huby, Amie Jammeh, Venetsiana Kalampaliki, Sotiria Koutsopetrou, Quindell Orton // Dramaturgical advice: Maxwell McCarthy // Stage Construction: Klaus Hammer // Pr: Simone Lutz // Production: Elsa Büsing

Partners & Support

A production by Anna Konjetzky & Co in Coproduction with Muffathalle Munich. Supporters: Cultural Department of the City of Munich, Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media and BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, with funds from the Bavarian State Ministry for Science and Art.

Press

Upcoming Events

September 2024
No event found!

Past Events

No event found!

songs of absence // Reviews

songs of absence // Reviews

Anna Konjetzky «Songs of Absence»

Salzburg

der-theaterverlag.de // March 2024 // Author: Carmen Kovacs

Not every loud work is a good work – but this one is. Anna Konjetzky has something to say that must not disappear. In Munich, she and her team have been a ground-breaking institution for many years, actively seeking, facilitating and shaping local and international connections and networking within the dance scene. Songs of Absence”, which premiered at the Munich theater festival “spielart”, can be understood in the context of this exchange, as part of a queer-feminist, socio-politically anchored artistic practice.

While the focus is urgently on making voids visible, on the forgotten and repressed, this content is presented in a charming album structure. Two stand-up microphones are positioned in a semicircle of projection screens, indicating from the outset that there is a lot to say. And indeed, the text, the pronouncing and addressing, the swallowing, mutating and virtuoso morphing of words and sentences into one another play a key role. In an almost symbiotic relationship with the soundtrack (Sergej Maingardt), the phenomenal cast of seven performers leads us through embodied attitudes, personal address, ecstatic speech, rap, slogans, poetry. Some moments of expressing become a difficult birth, the movement a side effect of the meaning.

How all this looks in movement language seems secondary in many moments anyway – and yet the forms of expression are so concrete and specific that the experienced choreographic directive behind them can be clearly felt. Sometimes they are static images, beautiful complications in which the bodies slip in and out of each other, supporting and holding each other. And sometimes they are liberated dance phrases that conjure up the affirmative power of movement. At one moment you see the group obsessively working on itself. And in the next, an electric guitar being worked on by two performers with objects and made to sound in wild ways.

We experience gestures of negation, which in the collective performance become affirmative gestures of togetherness, a sisterly embrace. We watch an ensemble that has its resources under control and understands its self-empowered approach right down to the design of the light. The craftsmanship and dramaturgy are so good that at times you forget what it is actually about. Fortunately, the finale is a caring slap in the face that tells you whether you’re still there.

On the bright side of the shake

Süddeutsche Zeitung, 06.11.2023 // Authors: Yvonne Poppek/Egbert Tholl

In beautiful contrast, there is the world premiere of “songs of absence” by Munich choreographer Anna Konjetzky, conceived like an album, interspersed with strong images, cleverly positioned in a feminist way.

The art of playing

Abendzeitung München, 02.11.2023 // Author: Vesna Mlakar

Songs of absence” is full of lyrics (…) Powerful words, peppered with thoughts that continue to have an effect on her – inwardly – violently moving performance. (…) Emotionally, the whole thing escalates into an increasingly agitated enumeration that culminates in a hiccup of vowels that are merely uttered one by one. Again and again, words get stuck in the throats of the seven dancers. (…)
Anna Konjetzky is well versed in the art of playing with content and form. But the choreographer, who has been regularly staging dance pieces characterized by a socio-political debate in Munich and around the world for 18 years now, is never merely concerned with the formal. Her almost insatiable desire to impulsively and thematically capture an audience seems to be too great. And this is exactly what Konjetzky succeeds in doing thanks to her famous protagonists Sahra Huby, Amie Jammeh, Sotiria Koutsopetrou, Jin Lee, Quindell Orton, Martha Pasakopoulou and Hannah Schillinger.

MOVE MORE MORPH IT!

MOVE MORE MORPH IT!

World premiere 07.10.2018, Kösk Munich

MOVE MORE MORPH IT!

Dance Performance

Who, how and what can I be? This question is being asked by Munich choreographer Anna Konjetzky in her new piece. A body produces its own soundtrack for a journey across various identities, self-conceptions and fantastical characters. The sounds evolvingreveal the movement in a different light and make the situations change unexpectedly. The images, moods, and super powers, drawn from individual or collective memory, are playfully layered and recombined. Through big effects and subtle notes, perception is fooled and the curiosity towards a creative way of handling attributions is triggered.

A 30-minute dance performance for theatres, galleries, foyers, schools and many other spaces, with the possibility of subsequent discussions, mini or maxi workshops on dance and music (e.g. live scoring of movement, foley artist).

Team

Choreography: Anna Konjetzky // Dance: Sahra Huby // Music: Sergej Maingardt

Partners & Support

A production of explore dance– Network dance for young audience, a project of fabrik Potsdam, Fokus Tanz / Tanz und Schule e.V. München and K3 | Tanzplan Hamburg organized by fabrik moves gUG. It is funded by TANZPAKT Stadt-Land-Bund, supported by the commissioner for culture and media of the federal government, the free and hanseatic city of Hamburg, the department of arts and culture of the city of Munich and the Bavarian state association for contemporary dance financed by the Bavarian ministry for arts and education, as well as the city of Potsdam and the ministry for science, research and culture of the federal state of Brandenburg.

Press

Upcoming Events

October 2024
December 2024
No event found!

Past Events

May 2024
April 2024
May 2023
April 2023
March 2023
February 2023
No event found!
Load More