A co-production with Rodeo-festival Munich in collaboration with Kammerspiele Munich and théâtre de la ville de Luxembourg

Uraufführung 8.10.2014, Kammerspiele München

Everything vibrates: The stage in Anna Konjetzky’s chipping is constantly in motion: cubes are moving- sometimes very slowly and hardly noticeable, sometimes faster and seemingly running everything down, changing images and shapes flood the space, breaking it, making it wide or flat. In the middle of it: the body of a dancer that needs to assert itself against, and with, the space; that needs to adjust to constantly new circumstances and that needs to find new ways around.

The body must adjust to new situations constantly, finding its way through the oscillating space: each step is a new balancing act; every movement newly devised; newly counterbalanced; and each way newly found. Even the passive body cannot rest on this stage: the moving space encroaches, deforms and swallows it. The body is driven restlessly to exhaustion and beyond. “In my opinion, restlessness is a very exiting aspect for the research of the body and movements. Yet, also the society seems to become faster and faster. Inundated by information, always reachable and available, seemingly limitless self-determination and the dictum of being permanently productive are a societal space that constantly forces—or enables—us to do certain “steps.“ (Anna Konjetzky)


  • choreography, scene
  • dance
    • Sahra Huby
  • music
    • Brendan Dougherty
  • video
    • Timm Burkhardt
  • scene
    • Anton Lukas
  • technical director
    • Barbara Westernach
  • project coordination


Hamburger Abendblatt, 10.02.2018

Bildstarkes Tanzstück im Lichthof Theater

Abendzeitung München, 10.10.2014

Toller Tanz zu Störgeräuschen

Accesstodance/Kulturvollzug, 09.10.2014